Since When is Juggling a Talent?

You know, I heard not-so-great things about the premiere of America’s Got Talent. But still, I was kind of bummed that I missed it. I mean, with Regis AND David Hasseloff, how could you go wrong? So thank goodness that NBC had the good sense to re-run the premiere tonight. Thank goodness indeed.

Now, the concept itself has done before – it’s a cross between American Idol and the gong show. They use the same format as Idol (3 judges, one cute girl, one Brit…) and with buzzers if they’re really bad. And with the “talent” it seems like a much larger version of Letterman’s stupid human tricks. But I LOVE stupid human tricks. And I’ve got to say, I actually enjoyed the show.

Some of the acts were actually really good. But we also had to sit through the grand master of the nose flute. And the impersonator (whose qualification, apparently, is that he can hear the voices). And the “shadow dancers” (also known as “the woman with the goat”). Although I did appreciate the balloon Regis.

The judging criteria are also considerably looser than on any of the other Simon Cowell shows out there. Somehow, acts like the horn guy and the senior citizen stripper made it through (and seriously, why was Hasseloff so interested in Bernie the Stripper?). But the judges were quite entertaining – I liked the interaction between the three of them, especially the moments when they leaned over and hit each other’s buzzers.

The editing on the show was horrific. Why did we have so much Regis? Did we really need to see him pull four acts at a time out of the audience? It made the show move really slowly. Since Simon Cowell is producing this (after all, the official title is Simon Cowell’s America’s Got Talent…really…), he should know better. One of the reasons that Idol works so well is that there is minimal Seacrest. There should also be minimal Regis.

Anyways, I’ll probably tune in next week. That is, unless, the Red Sox are on at the same time.